Sakumzi Qumana’s phone sounds an alert. It’s a text message informing him that his copy of Michael Jackson’s Dangerous album has arrived at his favourite record store… Read more “#Throwback | When Johnny Cradle Were Mixing Their uLate Single”
You Can Sit Some Shit Out, It’s Okay
Feeling like I slept through a week whereby some earth-shattering, course-changing shit took place.
#Review | Odunsi’s Very RVRE Sophomore LP Knocks
Odunsi’s the engine to Lagos’ nascent Alté scene. He revvs instinctual on his sophomore collection, drawing from 80s and 90s pop culture and personal reflections to craft… Read more “#Review | Odunsi’s Very RVRE Sophomore LP Knocks”
#Review | Quincy Jones & The Bull$hiiitte
Right at the end, an interviewer asks the decorated artist a question: What have you not been successful at? Marriage, answers the artist. Laughter ensues.
100 Greatest Kwaito Songs From The 90s And Early 00s
Around March, I was asked by Apple Music to compile a set of 9 playlists, each containing 100 songs, across different genres. The series is called Mzansi… Read more “100 Greatest Kwaito Songs From The 90s And Early 00s”
In Their Own Words | David Koloane’s Jazz Chronicles
I think at heart I am a musician
#Satire | Rappers Against Racism
The amount of racial hatred parated by Whiteness™ on-line has attracted condemnation from the least likely of quarters in society.
#Fotos | Hip Hop’s Flowers For Pro Overflowed
Hip hop has been showing up for Pro, in different ways, since he had a -kid suffixed to his name.
#Fotos | Strings & Bling: The Album Launch
Strings & Bling is South African rapper Nasty C’s attempt at making a concept album. At 17 songs long, the sophomore, released as part of his newly-inked… Read more “#Fotos | Strings & Bling: The Album Launch”
#Fotografi | The Grey Series Studio Sessions
Four years ago, a mixtape concept curated by the film duo Drop XVI, producer Nyambz’s Studio Next Door, and emcee B.O.Y Wonder’s Ondaground Productions was recorded in… Read more “#Fotografi | The Grey Series Studio Sessions”
